Works > Side Note

I’ve divided my work into the sections below, knowing that the boundaries between them are soft. In my practice, forms overlap, ideas migrate, and processes echo across different modes of making. The concept of leakiness, which I first encountered through the writing of Kameelah Janan Rasheed, resonates deeply with how I understand my own work. Her articulation of porousness between disciplines, languages, and temporalities mirrors the ways my pieces move and transform.

These sections are simply temporary markers, soft containers that help orient the viewer while allowing the work to remain open, leaky, and alive.

As Kameelah Janan Rasheed writes:
"Leakiness is a politics of intimacy: an invitation to wander and wade in the wet; to touch and make anew what has not been made solid; to [un]know and [un]learn; to return to the scene of presumed certainty for revision. Leakiness is a kind of interdisciplinarity, or a yearning to move, to be alive in many ways - to be without the grasp of a body of knowledge or a narrative arc. It is to be imminent in ways that exceed the predictability of a singular discipline."